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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院怎么又是你荒江女侠海市蜃楼1987性、毒品与税收对风说爱你 風中家族随心逐流巨星总动员血迷宫1984黑色童话第二季堕入黑暗西游记后传谁和她睡过了玉茗茶骨西野的恋爱与冒险潘尼沃斯第二季权力的堡垒第二季追龙番外篇之龙争虎斗国语花开盛夏朗园北地猎人潜伏4：锁命亡灵不白吃的食神之旅紫霞夏有乔木雅望天堂2016纳尼亚传奇3：黎明踏浪号
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院怎么又是你荒江女侠海市蜃楼1987性、毒品与税收对风说爱你 風中家族随心逐流巨星总动员血迷宫1984黑色童话第二季堕入黑暗西游记后传谁和她睡过了玉茗茶骨西野的恋爱与冒险潘尼沃斯第二季权力的堡垒第二季追龙番外篇之龙争虎斗国语花开盛夏朗园北地猎人潜伏4：锁命亡灵不白吃的食神之旅紫霞夏有乔木雅望天堂2016纳尼亚传奇3：黎明踏浪号